The exhibition Possibilità di relazione, organized by curators Enrico Crispolti, Roberto Sanesi and Emilio Tadini at Galleria L’Attico in Rome in May 1960, is a valuable document of the cultural turmoil in Italy in the late Fifties and Early Sixties. On that occasion, important questions are raised, also on a theoretical level, by the curators and some of the artists who published their point of view in the catalogue: first of all, the specific characters of New Figuration painting and its relationship with the language of Informale, which is not entirely rejected, but rather brought up to date with the new need for communication artists are now feeling as inescapable. While erasing the gap with the most progressive statements of internatio...
In May 1962, the Olivetti showroom in the Galleria Vittorio Emanuele in Milan hosted the exhibition ...
Il volume raccoglie saggi di studiosi internazionali sulla relazione tra fiere e mostre d'arte cont...
This dissertation has sought to propose a possible genealogy of contemporary curatorial practice by ...
La mostra Possibilità di relazione, allestita nel maggio del 1960 presso la galleria L'Attico di Ro...
La mostra Possibilità di relazione, allestita nel maggio del 1960 presso la galleria L'Attico di Rom...
Il saggio prende in esame la Mostra degli Impressionisti alla Biennale di Venezia del 1948 come punt...
This paper was originally conceived as a speech for the conference Le mostre d’arte moderna nelle g...
"Di quale forma" deve essere l'informale?", si chiede nell'agosto del 1959 Paolo Marinotti - segreta...
Between 1959 and 1962 Italian painting made a gradual transition from the materialism of the Informa...
In the 1950s and 1960s, the relationship between Italy and the Socialist Federal Republic of Yugosla...
La committenza difficile took place during Bari’s Arte-Fiera on March 26-27 1980. It was an innovati...
Modern Art Exhibitions succeeded in conveying long-lasting ideas and meanings despite their ephemera...
Between 1969 and 1970 the Arte Povera artists adopted the practice of writing in a series of works a...
Nel 1950 la Jugoslavia ritorna alla Biennale di Venezia con un padiglione nazionale; nel 1956 la Gal...
Gian Giacomo Poldi Pezzoli started his career as a collector in 1848. Aiming to achieve a summa of t...
In May 1962, the Olivetti showroom in the Galleria Vittorio Emanuele in Milan hosted the exhibition ...
Il volume raccoglie saggi di studiosi internazionali sulla relazione tra fiere e mostre d'arte cont...
This dissertation has sought to propose a possible genealogy of contemporary curatorial practice by ...
La mostra Possibilità di relazione, allestita nel maggio del 1960 presso la galleria L'Attico di Ro...
La mostra Possibilità di relazione, allestita nel maggio del 1960 presso la galleria L'Attico di Rom...
Il saggio prende in esame la Mostra degli Impressionisti alla Biennale di Venezia del 1948 come punt...
This paper was originally conceived as a speech for the conference Le mostre d’arte moderna nelle g...
"Di quale forma" deve essere l'informale?", si chiede nell'agosto del 1959 Paolo Marinotti - segreta...
Between 1959 and 1962 Italian painting made a gradual transition from the materialism of the Informa...
In the 1950s and 1960s, the relationship between Italy and the Socialist Federal Republic of Yugosla...
La committenza difficile took place during Bari’s Arte-Fiera on March 26-27 1980. It was an innovati...
Modern Art Exhibitions succeeded in conveying long-lasting ideas and meanings despite their ephemera...
Between 1969 and 1970 the Arte Povera artists adopted the practice of writing in a series of works a...
Nel 1950 la Jugoslavia ritorna alla Biennale di Venezia con un padiglione nazionale; nel 1956 la Gal...
Gian Giacomo Poldi Pezzoli started his career as a collector in 1848. Aiming to achieve a summa of t...
In May 1962, the Olivetti showroom in the Galleria Vittorio Emanuele in Milan hosted the exhibition ...
Il volume raccoglie saggi di studiosi internazionali sulla relazione tra fiere e mostre d'arte cont...
This dissertation has sought to propose a possible genealogy of contemporary curatorial practice by ...